Must have taken Production Safety & Set Protocol (FMTV-UT 101). Prerequisites for Film Students: Must have taken Sight & Sound: Filmmaking (FMTV-UT 43) and Sight & Sound: Studio (FMTV-UT 51) or Sight & Sound: Documentary (FMTV-UT 80). Industry guest speakers visit the class and field trips are taken to NY production facilities. Each student conceives, pitches and directs 3 main short form projects, varying in length from 30 seconds to 5 minutes.
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Students produce work that results in a series of final projects to live on a class Vimeo page, and will serve as the basis of their own demo reel. As screen sizes decrease, opportunities have increased for emerging technologies to facilitate the production and distribution of both long and short form film, video and animation based projects.
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Sight & Sound: DocumentaryĪn intensive production course for students interested in exploring the creative and commercial aspects of producing & directing TV commercials, music videos and branded entertainment. Note: some casting and rehearsals will need to be undertaken outside of class.
The fundamental skills learned in this class (script, performance, lighting, camera, art direction, coverage) will serve as a foundation for all narrative, experimental, and documentary-based production work and will be applicable in all intermediate and advanced-level production classes. In addition, a series of in-depth lectures, demonstrations and studio exercises will further expose students to the ideas, principles and practices of producing compelling studio-based production work. Supplementing Sight & Sound: Studio will be the internal companion component, Rehearsal Techniques, where students will learn the theory and practice of directing actors for the screen. Some post-production is possible for the final project. Students will have the opportunity to develop a single idea into a full-scale production that will be produced “live” in the studio at the end of the semester.
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Students will be trained in working with actors and learning how to connect script and performance to the production of three short studio based projects (each of increasing complexity). The course provides an in-depth exploration of the creative capabilities (technical, logistical, aesthetic) of producing narrative-based studio production work in a multiple camera television studio environment. The Development & Alumni Relations Team.Clive Davis Institute of Recorded Music.Rita & Burton Goldberg Department of Dramatic Writing.Martin Scorsese Institute of Global Cinematic Arts.Maurice Kanbar Institute of Film & Television.
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